MUSIC
CASTING OFF THE SAINT
This month was launch month for my third book,
Nailing Down the Saint.
I was in Hamilton for a panel on Contemporary Fiction on the actual day the book appeared in stores (6 Aug), as part of Hamilton Book Month. The highlight was meeting a former nun during the book signing afterward who could remember watching a film about St Joseph of Copertino back in her convent in the late 60's, and could still describe the final scene in detail. I was able to fill in some of the blanks such as the title (The Reluctant Saint, 1962) and we discussed the odd casting of an Austrian actor as St Joseph in an English language film about an Italian saint... Was not expecting that on my first public outing with the book.
Then I went to Palmerston North on the 13th for an intimate event at Bruce McKenzie Booksellers. Academic and fellow Penguin Random House author Thom Conroy graciously introduced me and questions from the floor led me into fun and challenging territory.
The next day it was a lunchtime Q&A session with Brannavan Gnanalingam at Unity Books in Wellington. You can read a write up of the event on
Unity's website.
 |
| Lunchtime Q&A at Unity Books |
It was very cool to get out there, particularly (re)connecting with the independent booksellers (shout out to Poppies in Hamilton, too) who are such great champions of local lit.
Still to come in September:
With a couple more things booked or in the pipeline later in the year.
(Let us say nothing of the dire book coverage in printed and online outlets... For now.)
BOOKS
Raised in Captivity by Chuck Klosterman (short fiction, audiobook)
The subtitle is "fictional non-fiction", which immediately made me weary. Klosterman's a non-fiction writer who made his name by dwelling on the areas of culture you're
supposed to gloss over (heavy metal in
Killing Yourself to Live; all the junk in
Sex, Drugs and Cocoa Puffs). He's branched out as his career progressed but this is his first book-length work of fiction...
And it's a collection of short stories.
Calling it "fictional non-fiction" and
blurbing it with phases like, "Microdoses of the straight dope, stories so true they had to be wrapped in fiction for our own protection", and "Fair warning: Raised in Captivity does not slot into a smooth preexisting groove"... when it's just a slightly off-beat story collection frustrates me. I get
why (story collections don't sell, etc etc), but it's this frustration that is the overriding memory of what is, otherwise, a fun collection of
short stories.
The Unreliable People by Rosetta Allan (novel, NZ)
Read in preparation for my Going West session. We should have heaps to discuss!
The Uninhabitable Earth by David Wallace-Wells (non-fiction, audiobook)
I listened to this in two chunks in one afternoon/evening, as I drove to and from Palmerston North for my event on the 13th.
There was a fair amount of cognitive dissonance at play, charging my petrol vehicle on a 300km round trip while Wallace-Wells (who narrates the audiobook himself) describes (at 2x speed so as to fit the book into one journey and satisfy my inner impatient consumer) the collision course our planet is on with unequally distributed, climate-inflicted misery and death.
As a book, it'd make a great introduction to climate change. But I was expecting/hoping for more in the second half when it promised to describe what life will be like on Planet Earth if/when we careen off the cliff at something like 3 degrees of warming. I guess the fiction writer in me was wanting something more grounded, but the consequences of things like sea level rise, mass extinction of fauna and extreme weather were delivered with the same helicopter view as the precis of climate science that necessarily preceded the sooth-saying sections.
Chernobyl: the history of a tragedy by Serhii Plokhy (non-fiction, audiobook)
The book you wish your parents had read (and your children will be glad you did) by Philippa Perry (non-fiction, audiobook)
This wasn't research for a book. I've kinda done my parenting fiction with
Nailing Down the Saint (and pre-parenting, bad parent book in
The Mannequin Makers). I'm allowed to feel like we're not doing a great job IRL and look for a bit of help, eh?
I like to watch: arguing my way through the TV revolution by Emily Nussbaum (non-fiction, audiobook)
A collection of Nussbaum's columns, reviews, recaps and features (with a couple new/extended pieces covering #MeToo), it covers her thesis that, while TV has finally shaken off the junk culture label and its best work is rightly considered artistic and important, the "best" label is still reserved for predominantly male creators and masculine genres. The Sopranos rather than Sex and the City.
It's all convincing, but some of the later, capsule-sized pieces on individual shows like
Law and Order SVU feel a little extraneous (the book is 380+ pages or 13+ hours in audiobook), but that aside: I'd recommend to anyone interested in TV and its relationship to other art forms and the broader culture.
On the go...
I'm partway through a few more books that I'll finish and write-up in September, but in case I forget:
- Dead People I have Known by Shayne Carter - this is really good!!
- Night Boat to Tangier by Kevin Barry - ditto!!
- You Know You Want This by Kirsten Roupenian - too early to say.
MUSIC II
On Friday I went to see Aldous Harding at the Hunter Lounge, which is in the student union building at Victoria University. It was a terrible venue 18 years ago when I went to my first, drunken Orientation gigs (Tadpole, anyone?) and it's worse now that I'm a less-drunk, more fusty thirty-something middle manager. I've never heard the chatter of people in the back half of a venue so loud, so oppressive.
The fact that Harding sat down for many of the songs and the stage wasn't very high, may have caused some at the back to disengage, so the venue did her no favours, but fucking hell people, you paid good money to see the most unique musical artists of any generation or form, and you can't shut the fuck up for 90 minutes?
Because, venue and a portion of the punters aside, the show was insanely good. (Shout out to Harding's backing back who were amazing, too.)
We were clearly watching someone who has already ascended to a special, global (albeit niche) plane with songs like 'Fixture Picture' and 'The Barrel' (notably she didn't play either of her two most popular songs from her previous album, 'Horizon' or 'Imagining My Man'), but she more than hinted that she was already breaking through further barriers with her cover of Gerry Rafferty's 'Right Down the Line' and the new song that capped the encore 'Old Peel'.
I had a fan girl moment with the Rafferty cover.
City to City is an album I've listened to a lot over the last 3 years, and I repurposed 'Right Down the Line' as a movie title for the fictional, feted director, Frank Motta, in
Nailing Down the Saint. There was no levitation on Friday night, but it was levitation-adjacent.
FILM & TV
Funny As - Season 1
Russian Doll - Season 1
Derry Girls - Season 1
w/Bob & David - Season 1
Under the Skin
Merata: How mum decolonised the screen
Vertigo*
Toy Story 4
The Circle
Office Christmas Party
The Stolen
