Monday, March 7, 2011

Living in the past: an update on my Sydney post


Reading Madame Bovary
1. It seems the most interesting thing about my last post was the fact I didn't write 'the barge story'. Today I received two separate emails explaining and apologising for the mix-up in the press release. (I was right, Amanda Lohrey wrote 'the barge story'.) Hey, I thought it was funny, and so long as Ms Lohrey is okay with her story's temporary migration (I almost said infidelity, but that's a tricky word to use in relation to stories), then no harm, no foul.


2. The prize money: you don't get novelty cheques these days (a shame when it comes times for photos; a bonus when it comes time to catch the flight home) -- the money just gets wired to you via the internet. Not that anything's arrived in my account yet, but that hasn't stopped me spending a wodge of it -- as I alluded to on Saturday -- on a Canon 550D camera. Hello Full HD movies and image stabilised twin lens kit. Look out   bird I've seen perching on my TV antennae twice now that may or may not be a shining cuckoo. It's time to meet the passerine paparazzi!


3. I now have photographic proof I was at the awards on Sunday.  So do you:

Kim Scott (That Deadman Dance), Dr Paul Sharrad (judge extraordinaire), Craig Cliff (A Man Melting)
There's also proof I gave a speech, but this also proves I can look like a slender-spined porcupine fish, some I'm not sharing.



4. Today I internet stalked researched the other regional winners of the first book awards. I'm pleased to see another short story collection made it through to the final: Bird Eat Bird by Katrina Best. So it's two novels vs two short story collections for the gold medal at the Commonwealth Games of Literature (welterweight category; Donaghue, Mitchell, Forma and Scott being the heavyweights). Question: Boxing, weightlifting, wrestling, judo, or taekwondo - which of these weight-graded sports is the best analog for a writing prize?


5. In non-CWP news (phew, they say), I bought a copy of Wulf by Hamish Clayton for Buy a NZ Book Day (Saturday). Looking forward to reading it, though my TBR pile is set to topple.  I wonder if readers of e-books have that gut-punch of guilt when they think about all the books they want to / have to read without the actual physical peril of the books in their lives?


6. Answers to questions in 4 and 5: Probably weightlifting (you're not competing against anyone but yourself, etc; it's made for epic failures) and probably yes.

Saturday, March 5, 2011

An embargo, a flying visit and a mystery barge: my Commonwealth Writers Prize experience

Newsflash: A Man Melting has won the Best First Book award for the South East Asia and Pacific region of the 2011 Commonwealth Writers Prize.

Actually, this isn’t that much of a newsflash. It was announced in Sydney on Wednesday night (I was there, more on this later) and the results were published in Australian newspapers (like this from the Syndey Morning Herald) on Thursday morning. It took a bit longer to break the news here in NZ, but by Thursday afternoon it was doing the rounds on Twitter. I got a phone call from a Dom Post reporter yesterday (Friday) and today a tiny piece appeared in my local paper.

But the news is even older than that for me.

I found out (by reading Beatties Book Blog rather than any direct correspondence) that I was short-listed for best first book on Friday 11 February.

For the next few days I was over the moon with making that far. I circled March 3 in my moleskine as the day the regional winners would be announced and began tempering my expectations.

As I blogged here on 16 February, the press release from the Commonwealth Writers Prize on the short-list mentioned that the first book nominees included "a comic treatment of the Rapture in the US, a story of Aborigines, a detective thriller involving an historical right-wing militia culminating in the opening of Sydney Harbour Bridge, an obsessive cartographer and her twin sister living down trauma from the collapse of Yugoslavia, and the laconic lives of casual grape pickers in rural Australia."

No mention of anything from A Man Melting = no chance of winning. Or so I thought.

When I blogged on the 16th, I was actually being a bit disengenous. This was what I'd thought in those first few days of being short-listed, but by the time I posted it, I knew I’d won!

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Musical interlude:


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Don’t feel bad, general public to whom I lied. I also lied to my mum, my brother (who lives in the same house as me), my in-laws-to-be, my boss and workmates, my friends, the Wellington Branch of the NZ Society of Authors, Creative New Zealand (I applied for a residency, but could only put that I’d been short-listed), the Auckland Writers Festival and probably a couple more trusting souls. It’s called an embargo, and I certainly wasn’t going to break the first one that applied to me! It was a test, and I passed.

I think.

When I was invited to the announcement of this region’s winners on 3 March in Sydney, I asked the Sydney based administrator if I got any travel assistance, since, y’know, I’d won and all? It seems only the 3 SE Asia and Pacific judges and the UK based administrator who was organising the week of activities for all the regional winners in May knew the results... But if I hadn’t have spilt the beans, I may not have made it to Sydney for 23 fun-filled hours to collect my prize and take a whole heap of selfies.

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Example of a selfie from Sydney:



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Sidenote: Not telling someone you’ve won something when the information is strictly embargoed probably isn’t lie. Proper lies do damage to the receiver, whereas in this case, most of the time I was damaging my own chances of getting a residency or attracting people to my session at the Auckland Writers Festival or getting my friends to buy me beer.

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Sydney

I caught the 6am flight from Wellington (which entailed getting up before 4am), arrived in Sydney around 9am, but couldn’t check into my hotel room until later because there were no rooms ready yet.

I walked around town, basically doing a circuit down George Street (checking out camera shops: I plan to spend the prize money on a digital SLR camera) to Circular Quay and back up Pitt Street, then hanging out in Hyde Park.

It was 2pm when I finally got to check in and have a shower, shave, iron my shirt and compose myself for my first ever acceptance speech.

I didn’t write anything beforehand and just winged it. People said it was good but afterwards I realised I totally missed a trick. If I had the chance again, I would begin thusly:
Thank you Elizabeth [the person who handed me the award]. I’m not used to giving acceptance speeches. The only other time I’ve won anything to do with writing was the novice award at the BNZ Katherine Mansfield short story competition in 2007, which just so happened to coincide with the time I was in Europe. So I sent my mum along to receive my award. Unfortunately my mum couldn’t be here this evening, so I’ll just muddle through...
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I actually have video of my mum’s speech (I wrote the speech at a friend’s place in Hamburg; she read it, with one small extemporaneous addition) on a DVD somewhere. I’m not sure where though.

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Hand Me Down WorldGiftedAt the awards ceremony there were some of the other short-listed writers and their publishers, from both the first book and big boy categories – but not all of the short-listed writers. I was the only representative from New Zealand, so I guessed early on that Lloyd Jones and Patrick Evans hadn’t won the non-first book prize. No one from Random House NZ came over to cheer me on, which some of the people there thought was a bit off – me: I understand money’s tight at the mo with the whole RED Group thing, and I think they trusted me to equip myself well at such a shindig. I hope I don’t become one of those authors who expects to be coddled... I’m not sure publishers will have the luxury of coddling authors in the brave new world of books anyway.

Also in attendance were people involved with the Commonwealth Writers Prize, such as  current and past judges (most of whom were Australian academics), sponsors (the event was at Macquarie’s offices), publicists, literary agents, the odd reporter and other Aussie writers.

I had a surreal conversation with the two publicists who had worked on the regional prize. One clearly knew I’d won, and kind of asked if I knew I’d won, but I was still so used to demurring in such situations that I kind of shrugged and grabbed a mini Yorkshire pudding and beef canapé and shoved it in my mouth. I can;t remember the other publicist saying a single word.

The speeches started with the obligatory thanks to the backers, then Dr Paul Sharrad, the chair of the judging panel, said a bit about each of the six short-listed books in the two categories.

Speaking about A Man Melting, he mentioned three specific stories, though not by name: ‘Unnatural Selection’ (“the story of a woman returning home after living in the United States...”) ‘Manawatu’ (“a story that tackles suicide...”), and “my favourite, the trials of a woman cooking for a tribe of London school kids on a barge in bad weather.”

Thing is, that story is not in my book, nor is it one I’ve written. When he was giving his speech I thought maybe he’d mixed up the elements of ‘Fat Camp’ (a man moves to Scotland with his partner to run weight-loss camp for teens and ends up running the black market in chocolate bars), but it's also mentioned in a press release... he’s clearly talking about another story.

Reading Madame BovaryPerhaps it’s a story in Amanda Lohrey’s collection of short stories, Reading Madame Bovary, which was short-listed for the non-first book award. We were the only short fictioneers amongt the twelve short-listees, and I can see how books may blend into one another..

So I’m just writing that down as weird, and will not freak out that the chair of the judging panel’s favourite story in my book is not in my book.

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Fact-checked excerpt from the press release post-announcement
“A Man Melting marks the appearance of a lively new voice in New Zealand writing, wry, punchy, filled with fresh images [this sounds like me], and providing an engaging mix of fantasy and gritty realism [uh-huh]. It handles both male and female characters convincingly [why thank you] and tackles serious social concerns such as suicide [tick] with a combination of delicacy and dramatic directness [if you say so]. The stories cover a range of situations [definitely] from the emotional process of returning home from overseas [see ‘Unnatural Selection’], to cooking for a tribe of London school kids on a barge in bad weather [um...]. These are extraordinary stories [I couldn’t possibly comment] about ordinary people [tick], and they are told with a great deal of affection [I am a big softy]. It is a consistently powerful and entertaining collection [*blushes*] and is awarded the prize accordingly.”

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After the prizes were announced and the acceptance speeches had been delivered (Kim Scott said: “I’d just like to echo everything that Craig said,” which made me feel good, and means Kim Scott also thanked the New Zealand Ministry of Education for being a flexible and supportive employer), it was time for a few photos. They had a small number of all the short-listed books for sale and they all sold out. I signed about five. My Australian sales figures increased exponentially in one night. Then we finished the free booze and canapés and I went to dinner with some of the Commonwealth Writers Prize people, including Dr Paul Sharrad (I didn’t mention the barge story), the administrator for whom I spoiled the surprise of my victory (we discussed this at length), and a bunch of other good people to know in Australian letters. Much wine was consumed.

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I flew back to Wellington on the 8.45am flight the next day.

I know the burning question you all have: What movies did I watch on the plane?

Going there: The Social Network. Verdict: A very good movie, well put together.

Coming home: 127 Hours (aka the one where James Franco is trapped in a canyon and has to cut his hand off). I was interested in how the movie would handle a story which is ultimately like Titanic (we know it’ll sink) but with less characters and less movement. I thought it did a good job. Only problem was I mistimed things and got served my breakfast right when he starts hacking off his arm. I can’t watch surgery shows on TV, so this wasn’t a good thing. Even averting my eyes from the screen, I still got the electric screech through my earphones every time he snipped a nerve or tendon. When I tried to open the little capsule of milk for my cup of tea, the ends of my fingers were all numb and the capsule when flying under the feet of the person seated next me.

Room*

So, that’s my Sydney story.

Work on Friday was a real struggle. Back to earth with a thud – even though there was carrot cake for morning tea and people congratulated me throughout the day, it was still work.
The Thousand Autumns of Jacob De Zoet
Now that the other region’s winners have been announced, I’m even more excited about the week of activities in Sydney in May. Amongst the winners are Emma Donaghue (Canada) whose novel Room was my favourite to winner the Booker Prize last year (I was wrong), and one of my favourite writers, David Mitchell (UK). Eep. I’ll have to work on how not to sound like a fanboy now that I’ve got this whole embargo thing mastered.

Tuesday, March 1, 2011

February Sucks

It's just too short. I haven't had the time to do my February reading post yet and it's messy-hectic times at the mo. Maybe this weekend...

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Here's a link to me reading '10 Places I Could Be When the Big One Hits' on Radio NZ National last Saturday (after Joanna Aitchison's earthquake poem).

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My talk/reading to the Wellington branch of the NZ Society of Authors last night went well.  People kept apologising for the small turnout, but that made it nice and intimate (apart from the other patrons at the Thistle Inn paying at the till).  I was asked to read my earthquake poem, and also read section 2 of 'Orbital Resonance' (also known as the story with 7 pages of internet browser history) and all of 'Untitled (Crimson and Gold)' (the story behind which I blogged about back in the day). The Q&A afterwards was also good value. I managed to go off on tangents about the lack of 'cross-town buses' between NZ and Australian literature and the influence of writing Ministerial briefings on my writing style.

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March is NZ Book Month. March 5 is Buy a New Zealand Book with Melting in the Title Day. Well, almost.

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Right, I'm off to floss my teeth and watch the first episode of the new season of the fabulous The Good Word (TVNZ7, 9.05pm Tuesdays). I don't know in which episode the 2 minute piece about my writing space will feature. Probably for the best. Not sure I'd watch if I knew for sure I was going to be on.

Thursday, February 24, 2011

Oh Geez, etc

All Christchurch whanau are relatively unscathed... wait, I feel like I've written this before. Oh, I have. This time there were a lot more close shaves and much more damage to homes and businesses.  M. and I were just down there this weekend... Man, does the whole thing just suck or what (and reduce me to the eloquence of a teenager).

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Lynn Freeman paid a nice tribute to Chch at the start of this evening's 7 Poets in the City event at the City Gallery.  She read one poem from a year 12 student about the September quake, another from Jeffrey Paparoa Holman. It was a free event that turned into a semi-fundraiser -- it was nice to see all us freeloaders donating generously to help out Christchurch.

Lynn is also looking for writers with responses to the quakes for Radio NZ this weekend, by-the-by.

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If you're in Wellington this coming Monday (28 Feb) and are keen to take your internet stalking to the next level, you can come and listen to me talk at the NZ Society of Authors' meeting at the Thistle Inn at 7.30pm.

Here's the poster:

Craig Cliff: Causing birds to fly out of people's hair since 2007.

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The count down is on to the announcement of the regional winners for the Commonwealth Writers Prize. Wednesday evening Sydney time, apparently.

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What's my talk to Wellington NZSA peeps and walk-ins with a spare $3 going to be about?  Well, if my book was a DVD, my talk would be a combo of the deleted scenes and the director's commentary. I'm going to try and tell the story of my story, 'Copies', from an idea in a journal entry to a first draft of a story, to a finished story and then beyond (ie someone's aborted attempt to turn it into a short film)...

I have it all worked out in my head, though I better write something out this weekend or else instead of words it might be birds coming outta my head.

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Right song at the right moment for an unknown reason that I can't find on youtube so you'll just have to nod and move on: Trembling Bells - 'Adieu England'

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I don't know if it's secret squirrel or not, but they've already done one press release^... I've been invited to appear at the Auckland Writers & Readers Festival in May. So, barring volcanic eruption or tsunami or pandemic (Aklders: "shut up Craig!"), that will be my first festival appearance.

^The press release came out the day before I was asked if I wanted to appear - so I'd totally written off any chance of appearing on stage in Auckland.  And that explains why I'm not mentioned in the press release, eh?

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Update: Friday 25th - Today I was recorded reading '10 places I could be when the big one hits' and it's going to play on Radio National between 4pm and 5pm tomorrow (Saturday), or so I'm told.

I kinda wanted a chance to preface the poem with some remarks, because it's not directly a Christchurch earthquake poem, but oh well... I'll just preface here: during the September earthquake, M's father thought, 'Geez, if this is what it's like here in Chch, I'd hate to see what's left of Wellington', and we received a text straight after asking if we were okay.  The idea that Wellington was still due a big one, and that events like earthquakes tend to focus the mind on what and who is important to you -- that's really the impetus behind '10 places...'

Friday, February 18, 2011

Book Launch: From Under the Overcoat

Sue Orr's book launch yesterday at Caffe Laffare was a good one.  Sadly, my photography skills were not up to scratch. I'm totally out of practice.

Here's the book cover again.

From Under the Overcoat

And here's Mary McCullum talking with Katherine Ryan on National Radio on Thursday.

I'm now down in Christchurch (again) and have attended my first coronial inquest. Not in a hurry to attend another. Sue's stories are calling - a welcome diversion!

More comments on the book in my end of the month reading summary!

Wednesday, February 16, 2011

Worksheet #63: where infrequent posting is not OK

Went to New Plymouth over the weekend and had a fab time. Definitely a liveable place. The only disconcerting thing was the billboards everywhere saying: "Taranaki, where family violence is not OK." These campaigns are as good as admissions that somethings wrong. It might as well say, "Taranaki: where family violence is a major problem." Or, perhaps it's actually saying, "If you want to abuse your family, move to Wanganui."

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Heat-check

By November 2010 I'd resigned myself to the gentle slide back to anonymity. I'd received my pile of media clippings from Random House and I was relatively happy with how things had gone. Some good reviews, some slightly better than good, no stinkers. I didn't expect things to take off again in 2011, but since 31 December I've been named a "hot writer", had a glowing review in the NZ Herald and now A Man Melting has been short-listed for the Commonwealth Writers Prize South East Asia and Pacific First Book Award. Long title, eh? It basicially means I'm one of six first-time authors from Commonwealth nations in SE Asia (eg Malaysia) and the Pacific (eg NZ and Australia) with a chance of winning the best first book in our region. Winners of the four Commonwealth regions (the others are Europe and South Asia, Candada and Caribbean, and Africa) duke it out for title of best first book in the Commonwealth. So it's pretty much the Commonwealth Games of literature (ie Americans have no idea it exists; NZers win a lot of silvers…). There's also an award for non-first books, but no one cares about them has-beens, right?

Anyway, it's pretty cool to be short-listed. Not many Kiwis ever win their region, so moving to the next stage is a big ask. Then there's the fact the press release from the Commonwealth Writers Prize features a comment by the chair of this region's judges, Dr Paul Sharrad, had this to say about the first book short-list:
"The first entries are notable for their fresh ideas. They include a comic treatment of the Rapture in the US, a story of Aborigines, a detective thriller involving an historical right-wing militia culminating in the opening of Sydney Harbour Bridge, an obsessive cartographer and her twin sister living down trauma from the collapse of Yugoslavia, and the laconic lives of casual grape pickers in rural Australia."
Yup, that's right: no mention of anything from A Man Melting. Oh well.

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Brisbane has to be the all-time leader in government-funded campaigns for social change. When I lived there the buses were plastered with ads preaching the virtues of proper hand-washing, decrying school bullying, asking people to keep a vigilant eye for terrorists (the classic being the TV ad with the line: "It's not my bag, Dad," … Bagdad, gettit?). The city was so saturated with good advice I doubt any campaign made a dent in the problem it set out to rectify, it just reminded people that things were messed up (and made advertising agencies rich).

Sadly, New Zealand is not much better.

From Under the Overcoat*

I'm going to the launch of Sue Orr's second collection of short stories, From Under the Overcoat, tomorrow here in Wellington. Sue's already had a fair amount of coverage, but I'm pleased to say I kicked it off way back in August when I interviewed Sue on this blog.

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I should really interview more writers…

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This Fluid Thrill: where promises are made...

Monday, February 7, 2011

Sunday 6 February: a review

6:16am: Wake up with Black Eyed Peas looping in my head. Feel queasy. Worry about the car, left in Pipitea Street since midday Saturday. Sigh: Sevens.

11:21am Have late breakfast / early lunch of 2 minute noodles. Discover many bruises which have yet to colour on upper arm, backs of knees, top of foot. Sevens.

11:58am: Take bus to town. Car still there (phew) and no parking tickers under the wipers (double phew). Go in to work for two hours. Write a fantastic paper on "lessons learned" which has nothing to do with drinking. Decide work would be improved with simple addition of jandals.

3:12pm: Have a second lunch of spaghetti and cheese toasties while watching Angels and Demons. Could it possibly, be worse than The Da Vinci Code?

3:13pm: Yes it could.

5:18pm: Check my emails. Check facebook. Check twitter. Gosh, people sure do tweet a lot. Scroll, scroll, scroll. Notice a tweet from @modernletters:
"An electrifying new voice on the NZ writing scene" - Craig Cliff reviewed in today's NZ Herald #betterlatethannever
5.19pm: Return to lounge. Tell fiancee, brother and temporary flatmate I need to go buy a paper. Brother says he's going out shortly and can get one for me.
Me: Where are you going? (meaning: How long do I have to wait for the paper?).
Him: To [insert name of recently broken-up with ex-girlfriend]'s.
Me: Oh.
[Insert awkward male conversation which skirts around things and where I refer to custody battles for non-existent kids in jest].

5:49pm: Look at watch. Regret not going to get a paper myself. Look up @modernletters tweet again. An electrifying new voice...

7:32pm: Eat dinner (tofu stirfy) and watch the second half of Harry Potter and the Order of the Phoenix. Decide it's the worst one yet. (Note: I've never read the books and only started watching the movies a fortnight ago because I had a sudden interest in magic…).

8:18pm: Brother arrives home. Don't make flippant comments about custody battles. Flick through the sections of the paper looking for the magazine lifouts. Find Canvas and Weekend. One is shiny the other is not. Think: I hope it's in the shiny one. Flick through Canvas, starting 3/4 of the way through. Find review of A Man Melting next to review of a John Irving novel. Read caption beneath photo of author: "John Irving loses the plot with too many layers this time." Feel better in the knowledge that John Irving has been panned and somewhere in my review there will be the phrase "electrifying new voice".

8.19pm: Consider my review. First thought: the photo of the book cover could be larger. Next: check who wrote the review. Paula Green. Think this is nice, seeing as how I'm currently reading 99 Ways into New Zealand Poetry.

Start reading. First sentence contains the line about "an electrifying new voice." Wonder if it will be all downhill from here. Consider the possible ways being an electrifying voice could be a bad thing. Consider electric shocks, shock treatment, lobotomies. Consider reference to scene in one of my stories where a boy is forced to chew tinfoil; "reading Craig Cliff's stories is much like being forced to chew tinfoil, his shrill, electrifying voice eradicates any semblance of meaning."

Read second paragraph. Things have not taken a turn for the worse, yet. There's reference to food and wine. Consider possible directions food and wine references could lead. Blandness. Mis-matched ingredients. Unappetizing menu. Consider references to food and wine in A Man Melting. A smiling grapefruit, reheated pasta, a scene between a homeless man and a tourist in Ecuador involving exotic fruit. Notice mention of "delectable aftertaste."

8:20pm Read the rest of the review. Re-read the review to make sure you didn't just glaze over the negative bits they include in to reviews to add balance. Decide this review is wonderfully imbalanced. Proclaim: This is probably the best review yet to fiancee, brother and temporary flatmate. Temporary flatmate has disappeared. Brother grunts. Fiancee says, I want to read it, but remains in the kitchen.

8:21pm Re-read the review. Relish the phrases, "Perfectly formed, stand-alone gems", "satsifying harmonies",  "inspired overlaps", "the fundamental core that weds humanity to strangeness and insight".

8:22pm Place Canvas carefully down on the coffee table, open to the page where John Irving is panned and Paula Green compares A Man Melting to a good wine cellar, "to be drunk now for zest and freshness and to be saved for later for enduring complexity and character." Go to office and check if the review is on the Herald's webpage. Run through promotional checklist: tweet, facebook update (personal page and A Man Melting's page), blog post, add review quote on homepage of craigcliff.com and a link to the review under "Reviews".

8:23pm Find the review is not online yet. Read blogs about the Sacramento Kings.

8:43pm Return to lounge. Discover interesting docu-drama on Waitangi Day on TV1.

8:50pm Ad-break. Ask if anyone's read the review yet. No, not yet.  Pick up Canvas and have another skim. Note individual stories mentioned: 'A Man Melting', 'The Sceptic's Kid', 'Copies', 'Manawatu'. Feel sorry for those stories never mentioned in reviews. Consider writing a better story featuring Bembe Hernandez, Rachael Dawn and Laura the hitchhiker killer that reviewers can't help but praising.

9:01pm Watch as brother picks up Canvas and reads review. Slowly. Man, is that how slow people always read?

9:08pm Fiancee reads review. Makes fake surprised sounds. It is a good review, isn't it?

9:12pm Brush teeth.

9:14pm Climb in bed. Think about lessons learned paper. Forgot to mention we've already committed to Cabinet that we'd implement changes to the next tranche of projects. Remember two tenders close tomorrow and proposals need to be assessed by 2pm Thursday. Consider calling in sick and watching Superbowl with friends who work nightshift. Remember Official Information Act Request that needs responding to. Remember Qualitative Benefits discussion paper that needs review. Realise I'm clenching my teeth. Remember I am an electrifying new voice on the New Zealand Writing Scene. Savour the delectable aftertaste.


NZ Herald review of A Man Melting, Canvas Magazine, 6 February 2011.
Answers to the quiz questions included for Jeopardy-lovers.

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Footnote: The review has now been posted on the Herald's website... Social network spamming: engage!

Tuesday, February 1, 2011

Let the good vibes in

The world is a better place when you can say: I'm going to Vietman next month (we fly out 26 March).

The world is a better place when the Sacramento Kings are winning. Even better when those wins come against the evil Los Angeles Lakers in their own building and, the next night, the red hot New Orleans Hornets. The world is a better place with the invention of the .gif and Sactown Royalty.


The world is a better place when there's an exciting new HARDBACK literary journal to submit to.

The world is a better place when you've got your annual head-under-and-everything swim at Lyall Bay out of the way and finally returned to room temperature.

The world is a better place when you spent the weekend playing Singstar with people who can't sing (even worse than you), watching terrible disaster movies (if the year 2012 is anything like the movie, I'm gonna start panicking before the President of the United States gives me permission), and eating cheesecake.

The world is a better place when you have a Moleskine diary. I know I might sound like a bookish-equivalent of what we used to call a "label basher" back in Intermediate. I'm don't have a fixie bike or thick-rimmed glasses and have been quite open about the fact I've all but stopped listening to new music. But the fact remains I love my Moleskine and you're free to call me a hipster or a poser or a character from a Douglas Coupland novel. I haven't had a Moleskine since 2008 (a rather productive year). This year's model was a birthday present from my brother. I had specific requests: it had to be the sort with 7 days on the left page and a lined blank page on the right for random notes, and pocket-sized. I didn't specify colour or hard or soft cover, so I wound up with a red hard cover, which may not have been my choice but I've quickly warmed to it.



The world is a better place when you're sticking to your resolutions, even if you're only netting two hundred words between 5am and 6.45am.

The world is a better place when there's talk of higher duties and back-dating at work, even if you are yet to see anything on paper.

The world is a better place when your wedding is still ages away and you believe everything will just fall into place.